Auszug: Through Weegee’s Lens By NIKO KOPPEL

BACK in the 1970s, a gutsy blonde named Jill Freedman armed with a battered Leica M4 and an eye for the offbeat trained her lens on the spirited characters and gritty sidewalks of a now-extinct city.
Influenced by the Modernist documentarian André Kertész, with references to the hard-edged, black-and-white works of Weegee and Diane Arbus, this self-taught photographer captured raw and intimate images, and transformed urban scenes into theatrical dramas.

Artikel:

Mutlimedia direkt:


Jill Freedman Website:

im Moment ist sie in Afghanistan...

Nicht übel.

find ich auch;-)

Wow, das sind coole Bilder.